McCartney and Thackeray: “Queenie Eye” and “Vanity Fair”
NANCY CARR * I believe that—probably without being aware of the parallel himself—Paul McCartney has written, in “Queenie Eye,” a version of Thackeray’s prologue to his 1847 novel Vanity Fair. And I think this reveals some interesting things about how McCartney thinks about performing and his relationship with fame. You’ll remember that I’ve called McCartney the Dickens of rock. In general, I’m increasingly convinced that there are strong strains of Victorianism in his sensibility. I don’t mean the Puritanism that often gets associated with the Victorians, God knows, but the exuberant love of spectacle and the (often sentimental) affection for domesticity. On [...]