McCartney in Dallas: A World-Class Balancing Act
NANCY CARR • My favorite moment of Paul McCartney's October 13 show in Dallas was a visual grace note. At the end of a song, as a stagehand came forward to take McCartney's Hofner bass and give him a guitar, McCartney held the vintage instrument up and balanced it one-handed, headstock down, body up. He looked at it, and the audience, teasingly, as if he might really let it fall. Seeing him let that elegantly long-necked bass—the same one he was playing 50 years ago in A Hard Day's Night—sway in the air was an astonishment. After a breathless second, the Hofner [...]